With River tied up at the airfield and the London meeting about to begin, “Boardroom Politics” turns the season’s enquiries into a race. Catherine has to make an information broker talk, Lamb searches the archive for a past that has been falsified, and Louisa and Marcus enter a room they know may be dangerous. Official power is everywhere; the useful decisions come from people struggling to make it listen.
- Released
- 23 December 2022
- Runtime
- 41 minutes
- Source novel
- Dead Lions
- Director
- Jeremy Lovering
- Writer
- Mark Denton, Jonny Stockwood
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Watch and read
Open the official programme page or explore the source novel.
Detailed plot
Reveal episode spoilers
River wakes restrained at the flying club. Chernitsky leaves for London, while Alex prepares to take the aircraft and Katinsky tells River that the Glasshouse is the intended target. The building links the apparent bomb threat to both Pashkin’s meeting and Peter Judd’s public appearance. River cannot stop the departure. His immediate task is to get anybody to hear him while bound on the floor, and he eventually manages to contact the Tropper family.
Duncan and Kelly arrive and release him, but they do not immediately accept that Alex is a Russian sleeper agent or that their guest is an MI5 officer. Her farewell note and abandoned wedding ring make denial harder. River explains the threat and calls it in as Code September. Taverner questions the certainty behind his report; he takes responsibility for it. The emergency response begins, and she removes Judd from the public gathering as the building is ordered to evacuate.
Lamb obtains access to Regent’s Park through Duffy and visits Molly Doran in the records department. Katinsky’s original account of himself is less convincing when Lamb considers it alongside the current operation. The supposed minor defector looks increasingly like somebody who hid his importance. The paperwork produces a more personal shock: Lamb’s name appears on the admission record, although he was away on a secret operation when the relevant action was taken. Someone inside the Service used his identity to endorse the man he is now investigating.
Catherine returns to Krymov and offers a contest rather than another request. If she loses their chess game, she will drink; if she wins, he must tell her what he knows. She wins, then has to apply further pressure when he attempts to withhold the promised information. The intermediary was dealing with Katinsky, not Pashkin, and involving Slough House was part of the arrangement. Catherine tells Lamb that the operation seems directed at him. The archive evidence gives her conclusion a foundation he cannot dismiss.
Louisa and Marcus meanwhile check the Russians and escort them to Webb’s meeting. Louisa is determined to scrutinise the details, but the apparent normality of the preparations conceals a gun. As the evacuation alarm sounds, Pashkin takes control instead of leaving. Louisa tells Webb that Nevsky is dead. Webb’s refusal to understand the changed situation ends when Pashkin shoots him. Marcus brings a concealed weapon into play and wounds Kyril, but the confrontation leaves the agents caught inside the building the emergency has emptied. The warning has reached London without making the people at its centre safe.
Turning points
Reveal turning points
Catherine’s chess victory changes who holds the conversation. Krymov has treated her history as something he can use to unsettle her; she makes his confidence the vulnerability instead. Winning is only part of the process, because she also has to ensure that his promise produces an answer. The result is the episode’s clearest move from information to understanding: Slough House is not merely interfering with somebody else’s operation.
Lamb’s archive discovery gives the attack a personal dimension without resolving its purpose. His name on a document is supposed to certify knowledge; here it records a lie. At the Glasshouse, Webb makes the opposite mistake, trusting the authority of his assignment after its premise has collapsed. The gunshot ends his ability to treat inconvenient evidence as someone else’s misunderstanding.
The episode’s cross-cutting makes a single alarm mean different things in different rooms. For River it is the answer to helplessness, for Taverner a decision with public consequences, and for the people around the boardroom table a interruption nobody can ignore. Knowing more does not automatically mean being safer. Catherine reaches the important conclusion away from the gunmen, while Louisa and Marcus have enough suspicion to watch the meeting closely but too little control to stop it becoming violent.
Book vs show
Reveal book and television spoilers
Griff Yates frees River from Tommy Moult’s restraints in the book. Duncan and Kelly rescue him after Alex’s attack in the television episode.
The novel puts Kelly at the controls of the threatening aircraft; the adaptation sends Alex, leaving Kelly to help River avert the apparent attack.
River reports to Catherine in Dead Lions, and she escalates his interrupted warning. Television gives him direct contact with Taverner when he calls Code September.
The book’s emergency interrupts Taverner’s meeting with spending overseer Roger Barrowby. The screen crisis catches her with Peter Judd, bringing the minister’s public ambitions into it.
Mick Herron, Dead Lions (2013).
Characters and actors
Linked locations
The Glasshouse is now the meeting’s active setting, with boardroom security above and an anti-capitalist demonstration below. River remains at the Upshott flying club while Lamb enters the fictional Regent’s Park headquarters. Catherine’s separate encounter with Krymov connects the conversations rather than joining the people together in one place.
Trivia
The source novel’s title refers to the children’s game in which players lie still and the first to move loses. Molly discusses it in the novel’s archive sequence. That image fits the season’s sleepers and the danger of judging apparent inactivity as harmlessness.
Questions and answers
What is Code September responding to?
River reports an aircraft carrying explosives towards the Glasshouse. The warning triggers evacuation and an airborne interception; its accuracy remains crucial to the next episode.
Why is Catherine’s chess game important?
Winning gives her leverage over Krymov, whose information identifies Katinsky as the organiser behind the arrangements. She realises that Slough House’s involvement was deliberate.
Why does Lamb reject the archive document?
It carries his name for an action taken when he was away on a secret operation. He knows he could not have signed it, so the record points towards deception inside the Service.
